Fringe Review: ‘Planet Egg’

Planet Egg

Planet Egg’s tag line says, “Like nothing you’ve ever seen!” Indeed it is. Puppet Cinema is a company that performs a puppet show that it presents as a movie. In other words, the puppeteers perform the show to your left in front of a video camera, and you watch what they do on a movie screen directly in front of you.

Puppeteers Zvi Sahar and Justin Perkins take us to Planet Egg through the use of a carousel like contraption that gives the illusion of a moving galaxy. When objects are placed in front of this galaxy, the show takes on the genre of one of those Saturday afternoon Lost in Space episodes.

This is a very impressive venture to watch; it even has its own sound effects or foley artist in the person of Ien DeNio.

The use of tiny objects and a whole lot of mushrooms make for an interesting show, and you get to see how it is done while it is being presented on screen.

The program says the show was supported by Cheryl Henson (Jim Henson’s widow). I can see why. This is the kind of stuff Jim Henson would definitely be proud of.

…a very impressive venture to watch.

One other selling point for this show is that Planet Egg is one of the few Capital Fringe shows you can bring your kids to without feeling guilty afterwards.

Planet Egg by Puppet Cinema shows off the art form of puppetry to its full advantage and in doing so it makes for an entertaining evening.

Running Time: 60 minutes.

For remaining show times click here.

For more info on everything playing at Capital Fringe through July 29th click here.

 

About Elliot Lanes

Elliot Lanes has been a professional stage manager/sound designer/board op for over 20 years. Having recently relocated to Washington, DC from the New York City area after marrying his reviewing partner, Jennifer Perry, he has been so far privileged to work on productions at Theatre J, Synetic Family Theatre and Prince George's Community College. He also contributed designs for four shows in the 2011 Capital Fringe Festival, two of which garnered critical raves. Elliot continues to serve as resident stage manager for two NY-based theatre companies- the legendary Negro Ensemble Company and White Horse Theatre Company. He has been privileged to work with the likes of Liza Minnelli, Betty Buckley, Marilyn Maye, Charles Weldon, Seret Scott, Chuck Patterson, and Arthur French.