Theatre Review: ‘El desdén con el desdén’ (In Spite of Love) at Gala Hispanic

Carlos Castillo, Natalia Miranda-Guzmán. Photo by Lonnie Tague.

In a refreshing romantic comedy, Gala Hispanic Theatre opens its 37th season and Hispanic Heritage Month with Agustín Moreto’s El desdén con el desdén (“In Spite of Love”).

Set in 17th century Barcelona, Moreto’s most famous play from the Spanish Golden Age is rendered here with a pleasant mix of light-hearted comedy and quick banter. The story revolves around Princesa Diana (Natalia Miranda-Guzmán), a Barcelonan count’s daughter who believes love is false and contrary to reason. She doesn’t want to marry anyone despite her father’s insistence, and her disdain is met by three suitors, one of whom, Carlos (Ignacio Garciá-Bustelo), confides in his servant Polilla (Antonio Vargas) of his love for her. The clever Polilla then nimbly orchestrates a devious plan to win over the count’s daughter and help her find love’s rage.

Directed by Hugo Medrano, the play’s fast-paced and witty dialogue doesn’t feel overworked by Vargas, Garciá-Bustelo or Miranda-Guzmán. And although it’s farcical at times, a bevy of comical songs and light music also mix in well with the plot, which includes the typical missteps, misunderstandings, word play, and slapstick of the time. One particular song, by an anonymous 17th century composer, made nearly the entire audience laugh aloud.

…a pleasant mix of light-hearted comedy and quick banter

Similar to Shakespeare’s A Comedy of ErrorsEl desdén con el desdén is based on aspects of four plays by the Spanish master Lope de Vega. Intellectual battles on the causes and reasons for love dominate most of the arguments between Diana and Carlos, though Polilla steals the show by working both sides of the disdain.

Natalia Miranda-Guzmán and Ignacio García-Bustelo. Photo by Lonnie Tague.

Although the entire play is performed in Spanish, two overhead flat-screens keep pace with subtitles of the dialogue for non-Spanish speakers. It can be difficult to switch between the screens and the actors because of the quick banter, but the play is strong enough that you can miss a few lines to watch the actors and still follow the plot.

The Gala Theatre is also a beautiful venue to see what the Washington Post once called, “an institution of which the entire city of Washington ought to be proud and ought to support.” The theater was completely refurbished and opened again in 2005, 29 years after it was closed and boarded up. The ornate ceiling of the original theater’s main historic dome is now lit up by the lighting design of Joseph Walls. Set designs by Elizabeth Jenkins McFadden and costumes by Alicia Tessari Neiman are also well constructed and complement the 17th century themes.

Running Time: 2 hours with an intermission.

El desdén con el desdén plays through October 7, 2012 at GALA Theatre, 3333 14th Street NW, Washington, DC 20010. Parking is available at a discount in the Giant parking garage on Park Road, NW. Additional parking is available at the Target garage also on Park Road, between 14th and 16th Streets.  For additional information or to buy tickets click here.

About Zach Brennan

Zach Brennan is a writer based in Washington, D.C. and currently reports on and edits a few publications related to the pharmaceutical and medical device industries. A long-time patron of the local arts, he was a theater critic at Northwestern University, from where he graduated in 2006 as an English major.