MD Theatre Guide Readers Answer “Why is Community Theatre Important”

In our most recent contest, we asked our readers the question, “Why is community theatre important”?  Congratulations to our top 3 submissions!  The winners will all receive a MD Theatre Guide T-Shirt!

From our article on June 13th, 2012 called “The Crucial Role of Community Theatre,” Anna Pullman summarized the importance of community theatre by saying “community theater is also the bedrock where audience interest is generated. Interest in live drama needs to start locally. If Americans are not attending local performances, featuring people in the community they may know, there is little chance they are going to become interested in live theater…”

1. Winning entry from Jane W.

Some artists and arts patrons consider community theatre the red-headed stepchild of the theatre world. I’m looking pointedly at you, theatre snobs, and I ask you the following questions:

Without community theatre, where will the next generation of actors, playwrights, directors, stage managers, designers, dramaturgs, and critics (yes, even the critics) turn to develop their skills?

Without the next generation of actors, playwrights, directors, stage managers, designers, dramaturgs, and critics, who will expose the next generation of audiences to new ideas?

Without new ideas, how will theatre survive in the future?

Community theatre is the foundation upon which those new ideas are built. No brand of theatre is perfect, but community theatre is just as essential to the survival of the art form as its professional counterpart… no matter what the theatre snobs say.

2. Winning entry from Danny S.

Putting on a show is a chance to show how team work can truly work. Everyone in the crew and cast come together to build the set and put on the show and the audience comes together to enjoy it.

It’s also a chance for local actors to develop their craft on a smaller stage before moving to Broadway or other larger stage productions.

Community theatre is usually closer to most audience’s homes then traveling to the larger stages, so it saves on money, gas and traveling time.

3. Winning entry from Calvin G.

Speaking from an actors perspective, I can say that community theatre changed my life.  Before being involved in a play I was very shy and didn’t have many friends.  Now because of our local community theatres I have more confidence, acting skills, and friends.

Since I’m new to acting, my chances of being in a professional show aren’t the greatest.  At least for now anyways!  With each new show I am in, I get better.  My school doesn’t offer a drama program, so that is why I am also thankful for community theatre!

About Mark Beachy

Mark Beachy is the publisher and video producer of the MD Theatre Guide and the NY Theatre Guide.

In 1997 he wrote the play, music, and lyrics in a musical called, “’Bout Baltimore.” This musical won the WMAR TV Channel 2 and Pumpkin Theatre Baltimore Bicentennial Playwriting contest and was produced as a 1-hour television special.

He has directed over 40 productions, including shows for Pumpkin Theatre, Timonium Dinner Theatre, Howard County Center for the Arts, and the Baltimore Children's Theatre where he was the founder and producer for 7 years.

Before starting the MTG in March of 2010, Mark was the performing arts reporter for the Baltimore Examiner.

As a professional actor he has appeared on TV nationally, including on Discovery Health as "Jerry Baldwin" on I Was Dead, “Officer Nunham” on America’s Most Wanted’s Top Cops 2009 and “Alexander T. Crane” in a Japanese TV documentary about Edgar Allan Poe.